Carlo Marratta, born in Camerano, arrived in Rome at the age
of twelve, and with the exception of two visits to his hometown, from
1648 to 1650 and again in 1679, he remained in Rome until his death.
Maratta was trained in the workshop of Andrea Sacchi, who directed him
toward a Classical painting style. In his first Roman piece was the
Nativity, 1650; his study of the work of Raphael, Annibale Carracci,
and Guido Reni, well as a certain attention paid to the work of
Lanfranco and Pietro da Cortona led Maratta to elaborate his later
style, a finely balanced classicism derived from Baroque painting.
Maratta produced a vast number of altarpieces-----among
the Roman churches alone, those of Santa Maria in Vallicella, Santa
Maria sopra Minerva, the Gesu, Santa Maria del Popolo, Santa Maria in
Montesanto, and San Carlo al Corso. Maratta produced many easel
paintings, among them numerous portraits, inlcuding popes. He is best
known for his Madonnas. To read about one of his images that became a
miraculous one, CLICK HERE.
The above image is from a Christmas card we received a quarter a century ago.