This image appeared in our September, 2005 gallery.
The artist was Venetian: his earliest dated work, of 1489, is an altarpiece for the church of S.
Bartolomeo in Vicenza. At least one major altarpiece, for the little town of
Olera, near Bergamo, probably predates it. In the 1490s he started to acquire
major commissions for altarpieces in Venice itself. With Giovanni Bellini
occupied with the decoration of the doge's palace, Cima da Conegliano became the leading
painter of altarpieces in the Veneto. About thirty of his altarpieces survive,
outnumbering those by any of his Venetian contemporaries. In addition to
altarpieces, mostly of the sacra conversazione type, he specialized in
half-length Madonnas for private devotion of which numerous workshop replicas
are known. Almost all of his mature works include idyllic landscape backgrounds
that recall the countryside around Conegliano as is the case with above Madonna.