The figures are left: Saints John the Baptist and Francis of Assisi;
right: Saint Jerome in red with the lion, and Sigismondo Conti,
secretary to Pope Julius II, who is the "donor" [or patron for] of the painting.
This image is "taped", that is, has bandaid-like strips patching
portions of the work. We "removed" them and painted in the background
using the surrounds as a guide. We did not alter any coloration except
to remove some the blotches that were visible. St. Francis' habit was
badly marked with white stains.
The "Foligno Madonna", painted in either in 1511 or 1512
for Sigismundo Conti after the Camera della Segnatura, marks the
transition to a new manner for Raphael. The graceful figure of the
Virgin seated amid clouds on a sunlit throne with her Child in her arms
recalls the celestial figures of the artist's "Disputa"; the three
Saints and the donor kneeling below on the earth before the beautiful
landscape, show not only a brilliant and scholarly composition, but
remarkable symmetry.